Blues and Soul Music Magazine

Issue 1099

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The James Hunter Six & The Chris Corcoran Trio, The Hideaway 15/11/12

The James Hunter Six: The Hideaway 15/11/12 (pt The London Jazz Festival)
The James Hunter Six: The Hideaway 15/11/12 (pt The London Jazz Festival) The James Hunter Six: The Hideaway 15/11/12 (pt: London Jazz Festival) Chris Corcoran: The Hideaway 15/11/12 (pt: London Jazz Festival) The Chris Corcoran Trio: The Hideaway 15/11/12 (pt: London Jazz Festival)

With the DJâs evocative sounds of early RânâB having perfectly set the mood for the show, The Chris Corcoran Trio launched into Ike Turnerâs âThe Roosterâ. Already, the limitations of a dining venue, however salubrious, presented itself; I wanted to push away my table and get dancing...

With Corcoran on guitar, Dave Lagnado on double bass and Peter Greatorex on drums, the band, formed just last year, created a full sound, whether it be swinging jazz, funk or traditional blues. In a varied set that included originals, such as âSwingoâ, âThe Plungeâ (from their debut album, âThe Getawayâ) and âKiller Shuffleâ, the theme from âThe Pink Pantherâ and the classic, âChitlinsâ, Corcoran proved to be a dynamic guitarist. During âWhims of Chambersâ, he walked among the delighted audience playing his guitar, while Lagnado, who we were told was celebrating his 50th birthday today, ably held his own on stage. âT-Bone Shuffleâ rounded off a polished and hugely enjoyable set. The Chris Corcoran Trio is one to watch out for, and James Hunter, enjoying their performance from the side, couldnât have wished for a better act to get the audience well and truly warmed up.

After the break, The James Hunter Six emerged to the swinging theme of the 1960 film, âSaturday Night and Sunday Morningâ; a favourite of the bandâs, from the era characteristic of Hunterâs music. They then jumped straight into the punchy âSheâs Got a Wayâ. The band, consisting of Hunter on guitar, Andy Kingslow on keyboards, Jason Wilson on double bass, new kid on the block, Rob Pokorny, on drums, Damian Hand on tenor sax and Lee Badau on baritone sax, demonstrated their musicianship throughout, with thrilling guitar riffs and impressive sax and keyboard solos. Hunterâs soulful vocals rode sublimely through it all. Evident in his fabulously funky rendition of âNo Smoke Without Fireâ, Hunterâs upbeat sound is made for dancing, and, to enable this, a rebellious table-shifting mutiny was suggested. This typically irreverent humour came to the fore with âWatch and Chainâ, when it became clear that, unusually for the band, there were a few timing issues. However, Hunterâs professionalism and entertaining theatrics kept everyone more than amused.

The set was filled with favourites, such as the title track of the wonderful Grammy nominated âPeople Gonna Talkâ and âRiot in My Heartâ, and âCarinaâ and âJacquelineâ from âThe Hard Wayâ. Fans were also excited to hear several unrecorded songs, which will feature on the new album due for release in the spring. The first, âGoldmineâ, was introduced in a self-parody (âThis oneâs called âGoldmineâ âcause itâs about a mine whatâs got gold in it!â), which belied Hunterâs fresh and witty lyrics, which have a modern twist that takes them beyond mere nostalgia. âOne Way Loveâ, which followed, was a prime example. Other great new additions were the beautiful âLet the Monkey Rideâ, âDrop On Meâ, and âLook Outâ. While most of the set consisted of original material, we were treated to blisteringly good renditions of The â5â Royalesâ âBaby Donât Do Itâ and âThinkâ, and Leiber and Butlerâs âDown Home Girlâ, which certainly had potential for mutiny, with their wild guitar and crazy keyboards. All too soon came the final song, âBelieve Me Babyâ, with its New Orleans vibe; the band walking off to the usual cheers and high spirited whistling. They returned for a rollicking âTalking âBout My Loveâ, with guitar stunts galore and enthusiastic audience participation. If the gig had had its hiccups, the audience wasnât bothered. It was an exhilarating ending to a fine show.

Photos: Steve Foster
Words Sharnalee Foster

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