Review
JODY WATLEY: THE MAKEOVER
5.7
This is Jody’s 9th studio album and first dedicated release since 2003, and spawns the first single 'Borderline' (Sept 22nd) which, if there’s any justice, should return the lady to the charts.
So, kicking off with the dancer 'A Beautiful Life' (also the other side to the single), we move into an engaging update of 'I Want Your Love', a la Chic, but this time wearing DJ Spinna’s musical overcoat. The riveting version of Erasure’s 'A Little Respect' is sharp and precise, while Jody re-works two of her past singles 'Don’t You Want Me' and 'Looking For A New Love'. She also turns her talent to Diana Ross’ 'Love Hangover', and although it loses the fire and drama of the original, her take is as exciting. It’s ten minutes or so long, incorporates the original’s prelude and is, apparently, how co-writer Pam Sawyer intended the song to be sung.
Another impressive cover is 'Will You Still Love Me Tomorrow', while seduction’s in the air with 'Midnight Lounge'. It’s a confusing release inasmuch that Jody mixes her palette of musical styles as if to prove she can master all genres. There’s no need. You’ve paid your dues; you’re a highly respected and extremely stylish singer, who cut your teeth with the mighty Shalamar from 1977-1984.
As a soloist, you’re MTV’s most nominated female artist; you’ve released fitness videos, made a huge impact in the fashion world, and contributed to Band Aid’s 'Do They Know It’s Christmas'. And now, once more, you are strutting your musical stuff, with tracks to dance or muse to. I rest my case. Jody said that after three decades in music – “It’s important to me that people recognize how much my music has grown, as I have.” Think we’ll stay around for a little longer.
Words SHARON DAVIS
