Review

Dennis Rollins Velocity Trio: The 11th Gate (Motema)

Some say the 11th day of the 11th month of this year, is the gateway to the end of the world. I hope not, as there’s a lot more nookie I intend to have, before I snuff it. It may be a bit too hot for naughties where I’m going!

Trombone star Dennis Rollins uses that significant date for the theme and inspiration for his new CD “The 11th Gate.” There are not too many trombone lead bands or albums out there these days, and from a Brit too. So this one is welcomed. The instrument has an earthy sound for me, gritty and solid. Apt then, this album was recorded in Steel City, Sheffield (over just three days.)

It starts off with a great riff from Dennis and his lovely tone, and an in the pocket groove from drummer Pedro Segundo. Some sizzling Hammond from Ross Stanley, on “Samba Galactica.” A fine start for the debut of this trio’s recording career.

Dennis has paid his dues over 25 years at the forefront of UK jazz, funk and pop as a sideman, leader and sought-after session player. As an integral part of Maceo Parker’s band, and with sax star Courtney Pine. He has also worked with Tom Jones, The Brand New Heavies, Jamiroquai, US3, Baba Maal and Blur. A former member of the acclaimed Jazz Warriors. Dennis has won several major awards, and in 2008 he was given the “Freedom of the Borough,” in recognition of his successful career, and for being a role model for the musical youth of his home town; Doncaster.

His jazz funk pedigree is put to one side here. This is contemporary jazz, with some simmering grooves, that should win him new fans and have wide appeal, above and beyond jazz enthusiasts. The US visionary label Motema’s first British signing. Placing Rollins along side label mates Monty Alexander, Geri Allen, Charnett Moffett, Lynne Arriale, Gregory Porter and others.

This stripped down line-up works really well. A great choice of partners in crime in Pedro – a Harvey Mason type approach at times – and Ross – from Brian Auger/Larry Young pastures perhaps. It drops in pace and excitement for me a little, a couple of times. Maybe one or two songs of the 11 lack the bite and passion of the others. But that is personal taste and microscopic attention to tiny detail. Overall, it is a fine offering, and a very strong statement of intent, as Dennis gets right down to the ‘bone.

NOTE: It is not often the artwork on the CD cover, is as impressive as the art on the audio. But special mention must go to artist Gina Southgate, for her lovely painting of Dennis.
Words SIMON REDLEY