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Issue 1084

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Feature

UB40: Folk fans feel the benefit

Brian Travers - UB40 @bluesandsoul.com
Brian Travers - UB40 @bluesandsoul.com UB40 @bluesandsoul.com Duncan Campbell - UB40 @bluesandsoul.com Robin Campbell UB40 @bluesandsoul.com James 'Jimmy' Brown UB40 @bluesandsoul.com James 'Jimmy' Brown UB40 @bluesandsoul.com Astro UB40 @bluesandsoul.com Astro UB40 @bluesandsoul.com Robin Campbell UB40 @bluesandsoul.com

I am a Cropredy virgin. In the 32-year history of the worldâs most famous folk festival - Fairportâs Cropredy Convention near Banbury - this was my first time. Good year to come though. I got to witness historyâ¦â¦a reggae band headliner. Not just any old reggae band eitherâ¦. I was intrigued when I heard that the mighty UB40 were topping the bill on the first night. Reggae at a folk festival. Would it work?

The scene is a very friendly and relaxed, family orientated event. Set in a natural, sloped amphitheatre in a huge field in the rolling Oxfordshire countryside. The Godfatherâs of folk music, Fairport Convention, hosting the festival since its birth three decades ago in someoneâs back garden.

Here you get the stars mingling with punters in the real ale bar over three days. Perfect sound from the PA. Low key, professional organisation. Media from around the world covering the event. BBC4 and Sky Arts TV crews capturing footage the day I was there. Whispering Bob Harris doing his thing to-camera. Lovely guy.

The kind of place where you never know who you are going to bump into. Backstage on day one I chatted to blues legend Seasick Steve, rock and roll icon Joe Brown. US band Hayseed Dixie. Led Zepâs bassist John Paul Jones was guesting the next day, and Robert Plant was rumoured to be turning up - as he has in previous years.

Birmingham reggae stars UB40 have a big link to the festival. Fairportâs bassist Dave Pegg played in Ian Campbellâs folk group in the 60s, Father of Ali, Robin and Duncan. âPeggyâ invited UB40 to play at the festival, but each time they were already committed elsewhere. Until this year. Dave told me he was so glad they could come, as they owed him a few pints! âWhen they were lads, I gave them a Red Dawes Emblem racing bike with 15 gears, so they owe me a beer or two. I remember going on holiday to Ross on Wye with Ian and the lads, me and my kids. I am incredibly pleased they are here, as they are a great group and lovely lads. Their manager Dave used to be a roadie for Fairport.â Dave Pegg even has the claim to fame that he played table football with Bob Marley and got soundly beaten every game. Reggae star Jimmy Cliff stayed at his parentâs council house in Acocks Green, Birmingham for three weeks, on his first ever UK tour! âCan you get a photo of me with the two Campbell boys after the show,â asks Dave? I oblige.

Before the show, I chat with the bandâs sax player, songwriter and founder member Brian Travers. Sat in dressing room number 1, one of several âPortacabinsâ the band have been allocated. He talks me through the bandâs history, formed in Birmingham in 1978. Their first single went to number four in the UK chart. âKing/Food For Thought.â Debut album âSigning Offâ in 1980, got to number two in the UK and spent 71 weeks in the chart. Now Platinum. They re-released the album as a double CD and DVD set for its 30th anniversary last year.

The band were discovered by Chrissie Hynde, who invited them to tour with The Pretenders when she spotted them playing in a pub. They went on to have two US Billboard number ones with âRed Red Wineâ and âCanât Help Falling In Love,â among five top ten hits there. They still tour the US and in 2008, after former singer Ali Campbell departed, they played the Hollywood bowl for the first time. In 2009 and 2010 they toured the States coast to coast. Still good box office.

Young Brian saved to buy his first sax when he was an electrical apprentice. He was a founder member of the band alongside Jimmy Brown, Earl Falconer and Ali Campbell. Brian and Ali toured Birmingham, sticking up posters before most of them could even play a note. Brian reveals that when the band first started and only had a few songs, in the late 70s, they recorded at Dave Peggâs studio - in the very village we are walking distance from now. âDave is an incredible musician and has always been very supportive of us. Tried for a few years to play here, but we were always away. It is great to finally get to do it. It must be one of the few festivals in the world UB40 have never played. We have headlined Glastonbury, Montreux Jazz Festival. All over the world, but not here. It is a beautiful festival with a mature audience who love music, all sorts of music. We are going to have a real party out there. With all the hits they know. It is a real privilege for us to be here.â

So is there any issue over a folk crowd accepting reggae music? âNot at all. It is all blues and folk anyway. Without the blues we got nothing. No reggae. No soul. It is in another sense, all folk music too. What we play wasnât very exotic in Balsall Heath in central Birmingham in the 70s. It was folk music. Reggae music was the folk music. The songs all tell a story.â

The band had a consistent line up from the start, 1978 to 2008. Then in January 2008 singer Ali Campbell left and soon after, keyboard man Mickey Virtue followed. Maxi Priest shared vocals with new boy Duncan Campbell for one tour, and then the third Campbell brother took over and has been at the front ever since. Thereâs been much said about the shock departure of Ali. By him, not by the band. He has seemingly been quite vitriolic about his former colleagues, which includes his siblings Robin and Duncan.

Now, when I was a trainee reporter many moons ago, I was told that the two main ingredients of a good tabloid story were âkissing and fighting.â i.e. sex and conflict. A damn good row. It sells âpapers. My tape running, Brian pulls no punches in the story behind the split and what has been said since. I am salivating. Itâs on tape. Hard-hitting stuff. This old hack seizing on his words like a pit bull on a rabbit. Then I see the band do their thing on stage and blow away around 15,000 people. I spend afternoon and evening with the guys backstage, and even on stage. I get to see first hand how close they all are. There may only be two actual brothers in the band, but there may as well be 10. Musically they are perfect. Duncan is a classy, relaxed front man with his own personality and vocal style, but a similar tone as his brother.

I begin to mull over my angle for this feature. The row and the bandâs response in full Technicolor is obvious. But is it? I shoot pix of the band on stage, and as the crowd are going bonkers for more and the band are soaked in sweat, big grins on their boat race, walking off stage to the dressing rooms, I tell Brian and the boys I have got itâ¦..

My mind wanders to football. My team. Sir Alex Ferguson has told Beckham, Cantona and other superstar players, that no one person is ever bigger than the club or the team. Ever. That was it. It fits here. UB40 is the team and a star player left, but was replaced with someone of equal talent and individual style. So the club marches on to further victory.

As hard as it is for me to say this; I am not actually going to use one single word of Brianâs comments about their former singer and the background to the split. About the guy he went to school with. It will just be pouring paraffin on to the flames and detract from the fact that UB40 are globally famous, brilliant at what they do, unique. They made reggae commercial and cool. For black, white, young and not so young. They headline globally. UB4O is a brand. They have three decades of history sure, but they retain credibility and relevance to today. Real musicians playing real music to real people. I have a saying on my office wall: âIlluminate the positive and eliminate the negative.â So these guys focus on the future, the positive. My own message to Ali, who I have never met and do not know, would beâ¦.. no matter what has happened; blood is always thicker than water. Family are more important than anything. Always.

So. Ali does his thing. They do theirs. Move on. And move on they areâ¦â¦â¦â¦â¦â¦ I can tell you dear B&S readers, that anyone who has criticised UB40 for not doing anything original since Ali packed his bags, will soon be eating their words. The band have signed a major label deal. They are part way through a new album, due for release next year. I heard some of it in the dressing room at Cropredy. It is stunning. Different, but not! One track I heard is a dead cert hit. US included. If it isnât, Iâll bare my bottom in Biggleswade High Street (sorry Biggleswade!) Seven or eight originals and some well known and forgotten classics.

This all sounds cryptic. Deliberately. They have signed a confidentiality agreement with the label and cannot talk about it. So I am not saying which label it is or any more than I have here. But I am very excited at what I heard, as it is new, fresh, exciting, infectious, classy and great production. Hugely commercial, but very credible. They have plans to feature some mega guests on the CD. It will please their fans and open new doors. I can see this getting âAâ rotation playlist on Radio 2. Watch out for the news when they reveal what they are up to.

So what can I tell you? Well, I heard one of the coolest things of my life while talking to Brian. I asked him what it felt like to be in a band that have sold 70 million records, so says Wikipedia. His reply was superb. He said, and I quote: âIt is actually nearer 100 million, Simon.â Donât you just love that? Best correction I have ever heard. And in his thick Brummie accent it sounded even cooler. Imagine selling 100 million records! Add up the total sales of perhaps the top 20 chart acts of today and you probably will not get a quarter of that figure! And with sales and success like that, I must admit I did expect a bunch of arrogant guys being difficult to work with. Wrong again, Redley. Lovely guys with no ego and seemingly, the same level of enthusiasm for their show as they had 30 years ago.

The Veuve Cliquot, red, red, red wine (see what I did then?), beer and food are laid on in their dressing rooms, sure. They get a big Winnabego for a production office. A nice tour bus to ferry them here. VIP treatment yes. But they have earned it. Over 50 tracks in the top twenty UK charts. Five hits in the Billboard charts in the US. A Grammy nomination in 2006 for, âWho You Fighting For.â

Drummer James âJimmyâ Brown comes into the dressing room and laughs out loud. âThis is great. Blues and soul interviewing a reggae band at a folk festival.â He says he thinks it may be a bit of a culture shock for the audience, as in the few hours we have been there, he has not heard any bass on stage. âWhen our bass starts, theyâll be rattling,â he laughs. In fact, there are no monitor cabs on stage for UB40, they use in-ear monitors. So it is pretty quiet on stage. They do have auto cues for the lyrics, just in case of a senior moment!

The bandâs dresser and wardrobe mistress Caroline, starts to do her stuff. Tour manager Paul Hunter hurries me up so the guys can get ready for 9.30pm show-time. I take the hint.

One thing; I cannot compare the band to the days of Ali at the front. I never saw them before. In 1979 I was sent to a Brum ballroom to shoot pix for a music âpaper, but the place was chained up after losing their license, so the gig was off. A few years later they were huge and headlined Bingley Hall, Stafford. Car broke down on the way, and I didnât get there. 3rd time lucky then.

There is a kind of charged electric atmosphere, from band, crew and crowd. This could be something really special. Wellâ¦â¦It was.

The boys took to the stage to a football stadium roar. Robin Campbell on guitar and vocals. Duncan Campbell on lead vocals.James âJimmyâ Brown on drums. Norman Hassan on percussion, trombone and vocals. Brian Travers on sax - providing that distinctive sound that UB40 are famous for. Earl Falconer on bass and vocals. The inimitable Astro on trumpet and vocals. Those guys all founder members. Then the live additions of Martin Meredith on sax, Laurence Parry on trumpet, flugelhorn, trombone and Tony Mullings on keyboards.

Duncan looks relaxed and at ease. He has a charisma and class that make you feel heâs always been there. Tonight, he is the man. After his first few bars, no one would be thinking about absent friends, thatâs for sure. He gets some vocal support when Astro, Norman and Earl take turns in coming to the front of the stage to sing lead or harmonies. Brother Robin chipping in too. Some fine rapping from Earl.

The audience were up for it big-time, and sang along to almost every song. The band were chilled and smiling through the whole show. 23 songs. Hit after hit after hit. Like a mix tape of party songs. Lovely stuff. I realised something as I looked out at a sea of happy faces. Folk. Country. Rock. Blues. Whatever. You do not need to like reggae. You just need to like music. Good music. Great music. A great band.

I couldnât see one person not digging it. If there were any, theyâd be deaf or dead. From the first song âHere I Am Come And Take Me,â to the sing-a-long finale of âCanât Help Falling In Loveâ â which I defy anyone not to mouth the words to when they hear it - the boys had the crowd in the palms of their hands. With ease. âHomely Girl.â âCherry Oh Baby.â Great versions of âCream Puffâ and âBoom Shacka Lacka.â Last three songs before the encore; âFood For Thought,â âRat In Mi Kitchenâ and the timeless âRed Red Wine.â The band leave the stage to deafening applause and shouts for more. They get it. A quartet of great songs, with the best until last, âCanât Help Falling In Love.â A storming four-song encore. Like a last night at the folk proms with a reggae band. Genius booking policy. Bet there were a few hoarse voices and sore feet next day.

I kept thinkingâ¦..this band had come such a long way since their first gig at the Hare and Hounds, Kings Heath, Birmingham on 9th February 1979 at a friendâs birthday party! But this was also a heck of a party tonight, too.

It is true. Reggae music unites communities. It is from the streets and the ghetto. It is classless and does not distinguish between race or colour. Or folk fans! UB40âs catalogue, like the brilliant: âOne In Ten,â third song in the set tonight - the perfect soundtrack to todayâs broken Britain and civil unrest. With two point five million jobless. A song they wrote and released over 30 years ago, but summing up todayâs discontent and desperation of the people. Brilliant lyrical content: âA statistical reminder of a world that doesnât care.â As relevant in 2011, as it was in the late 70s and 80s.

Memo to the PM, David Cameron. Can I suggest you offer UB40 on the NHS? Thatâs a benefit we would all sign up for.

ub40.co.uk

Pictures: Simon Redley
Words SIMON REDLEY

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