Blues and Soul Music Magazine

Issue 1084

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BRINGING YOU THE STORIES BEHIND MUSIC + ESSENTIAL NEWS, REVIEWS AND INTERVIEWS...

Column

Phil Driver's Unsigned Soul Column (June)

Phil Driver's Unsigned Soul on Blues & Soul
Phil Driver's Unsigned Soul on Blues & Soul Live Tropical Fish: The Day Is Too Short To Be Selfish United We Cure: Various Leela James: My Soul Avery Sunshine (ALBUM) Yahzarah: The Ballad Of Purple Saint James Jonathan Butler: So Strong Richard Earnshaw: In Time Wadz: So Smooth, The Funk Album Diesler: Tie Breakers DeRobert & The Half Truths: Soul In A Digital World Angela Johnson; It's Personal Carmichael: Fantasy Rain Mirenda Rosenberg: Placeholder

ALL THE LATEST UNSIGNED SOUL NEWS... WHAT'S BREAKING, WHAT'S SHAKING AND THE ESSENTIAL SOUL TUNES TO LOOK OUT FOR....

A foreign website recently described me as the Simon Cowell of soul music. I didnât know whether to be flattered or offended. One thingâs for sure; Iâm not Simon Cowell. I know this for a fact because Iâm not a millionaire, I donât have an unhealthy influence over the music industry and, to the very best of my knowledge, Iâve never shagged Sinita.

But I can see the point they were trying to make. My radio show specialises in finding and promoting new talent, and my record label signs up music from these artists and puts it out on compilation CDs. Because of this, I spend a great deal of time listening to new music and telling its creators what I think of it. So, in this respect, I guess Mr Cowell and I may have something in common.

But where we differ is in how we express our opinions. I nearly always agree with what he says on shows like the X-Factor and Britainâs Got Talent. The problem is that I donât generally agree with how he says it.

Iâve never subscribed to the cruel-to-be-kind ethos. Sure, artists need to be told if their music and/or singing isnât very good and, for their own sake, should be dissuaded from spending time and money chasing an impossible dream. But surely the truth can be relayed without resorting to rudeness and personal insults?

This subject of giving feedback crops up frequently in my conversations with other DJs. The vast majority of them say that if they receive a music submission they donât like they simply ignore it. Iâve always found this rather odd, especially because DJs love getting feedback about their shows and are always complaining that they donât get enough feedback..!

My policy with Soul Unsigned has always been to respond to all submissions that I receive. Itâs a policy that I sometimes regret, but not one that Iâm about to give up any time soon.

Of course, itâs easy to comment on the good stuff because artists love to hear that I appreciate their music and plan to use it on the radio show. Unfortunately, itâs much more difficult giving feedback on the not-so-good stuff. And I receive an awful lot of that.

I get submissions where the vocals are great but music just isnât up to the job. The independent soul scene is littered with good singers who are (or who work with) crap musicians. Far too often the music sounds like itâs been produced at home with a Casio keyboard and a very cheap drum machine. I try to be positive and compliment the artist on his or her singing, but Iâm also up front about the fact that the production quality isnât at the level required for a radio show.

Some artists reply and thank me for my honest feedback. Others choose to ignore it. A very small percentage take issue with it, but the fact that I never see their music on other DJâs playlists suggests that my assessment is usually shared by the majority.

Giving feedback is considerably harder when the problem is with the vocals rather than the music. For reasons Iâve yet to work out, artists seem to take criticism of their singing much more personally than comments about their musicianship or production skills. Unfortunately, the independent soul scene is littered with good musicians who think theyâre good singers.

In these cases I still take the approach, rightly or wrongly, to be honest. More often than not I just say that their voice isnât doing it for me. Sometimes theyâll send me more tracks, which usually confirm that they really canât sing. Very rarely, a singerâs voice just clicks into place on one particular track. Itâs those special occasions and those one-off tracks that make giving the initial feedback worthwhile. If Iâd ignored their first email, that killer track would have gone undiscovered.

So, if youâre reading this and youâre an artist who is considering sending me some music, please do so. Iâm really looking forward to hearing it and giving you my feedback. If I like it, Iâll tell you. And if I donât like it, Iâll tell you that too. As it says on our websiteâ¦.please donât ask for my honest opinion unless you really want my honest opinion!

Top 5 Independent Albums

Live Tropical Fish â Life is too short
www.livetropicalfish.it

United We Cure â Various Artists
privacywear.com

Leela James â My soul
leelajames.com

Avery Sunshine â Sunshine
averysunshine.com

Yahzarah â The Ballad Of Purple Saint James
myspace.com/yahzarah

Jonathan Butler â So Strong
jonathanbutler.com

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Just Under The Radar

Richard Earnshaw â In Time
myspace.com/richardearnshaw

Wadz â So Smooth, The Funk Album
myspace.com/sosmoothfunk

Diesler â Tie Breakers
dieslermusic.com

Tom Glide & The Luv Allstars â In the name of luv
tomglideandtheluvallstars.com

DeRobert & The Half Truths â Soul in a digital world
gedsoulrecords.com

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The Essential Playlist

A selection of tracks that have featured on the soulunsigned.com radio show throughout May.

Angela Johnson â Be myself (CD Its Personal)
Avery Sunshine â Blessin me (CD Sunshine)
Carmichael â Thatâs my song (CD Fantasy Rain)
Clarisse Albrecht â Voce me da (CD The 2010 Summer Session)
Claudia Hayden â God is watching (promo)
Danielle Haynes â I want to be close (CD Loveâs Never Lost)
DeRobert & The Half Truths â The joy (CD Soul In A Digital World)
Dessy Di Lauro â Shout out 2.0 (promo)
Diesler â Various (CD Tie Breakers)
DuFunk â Various (CD Shake it)
Georg Levin â Everything must change (CD Everything Must Change)
Hog Pin â Can you drop it (CD Soul Time)
Jay Diamond â Touch (promo)
Johnny Britt â Donât leave me this way (CD There Is Nobody)
Katie Cole â Back into the sun (promo)
Kjazz â Various (CD â Canât keep a sista down)
Leela James â Various (CD â In my soul)
Livin Out Loud â Cuz I gotta know (promo)
Max Sedgley â All around me (CD Suddenly Everything)
Mirenda Rosenberg â Puppet (CD Placeholder)
Patrice Campbell â Various (CD Garden Of Love)
Planet Earth â Knock me over (CD 20 Miles From Buffalo)
Richard Earnshaw â In time (CD In Time)
Seliah â No lies (promo)
Sharnette Hyter â Love token (CD Jus Shar)
Soul talk â Loving you (promo)
Third Coast Kings â Give me your love (Record Kicks 7â)
Tim Terry Experience â Ooowee (promo)
Tom Glide & The Luv All Stars â Various (CD In the name of luv)
Velben â Send u (CD Creative Flowz)
Verna Francis â (promo)
Wadz â Various (CD So Smooth â The Funk Album)
Yahzarah â Various (CD The Ballad Of Purple Saint James)

Phil Driver

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Please feel free to contact Phil with any unsigned news that you feel would benefit others... Also drop Phil a line if you are a talented and unsigned phil@bluesandsoul.com Thank you.

Read the B&S reviews for Soul Unsigned releases Soul Unsigned Vol.4 & Soul Unsigned [Summer] Session

From Jazz Funk & Fusion To Acid Jazz

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